Download Aimé Césaire by Romuald Fonkoua PDF

By Romuald Fonkoua

Ecrivain, poète, dramaturge, militant politique, Aimé Césaire (1913-2008) est l'un des acteurs prépondérants de l. a. révolution noire qui s'est jouée sur tous les continents dans l'après-guerre. Mais cet homme du monde incarne d'abord l'intellectuel français, dont l'histoire et los angeles vie jalonnent les grands moments de notre histoire.

Il y a cent ans naissait Aimé Césaire. De los angeles Martinique à l'Assemblée nationale, sa vie est jalonnée de rencontres décisives et d'amitiés essentielles. Poète, politique et dramaturge, Césaire incarne avec Brio l. a. determine de l'intellectuel noir dont les idées, les œuvres et l'action ont accompagné l'histoire de tous les opprimés et colonisés du XXe siècle. Soulignant sa prose remarquable au carrier de reasons justes, l'auteur insiste également sur son amour inconditionnel pour l. a. scène théâtrale.

Professeur de littérature francophone à l'université Paris-Sorbonne où il dirige le centre overseas d'études francophones (CIEF), Romuald Fonkoua est également professeur à Middlebury Collège (Vermont, États-Unis) et rédacteur en chef de l. a. revue Présence africaine.
Cet ouvrage a obtenu le prix Robert Delavignette de l'Académie des sciences d'outre-mer.

3Une biographie très documentée, aussi admirative qu'inspirée. "
Catherine Golliau, Le Point

Show description

Read or Download Aimé Césaire PDF

Best literary criticism books

The Tales of Ise (Tuttle Classics of Japanese Literature)

Writer notice: Translated by way of H. Jay Harris
------------------

Revered as one of many nice literary classics of Japan,The stories of Ise is an nameless tenth-century selection of eastern poems and prose. First released in 1608 as Ise-monogatori, the paintings is a manufactured from courtroom lifestyles during which the romantic assignations, intrigues, and social criteria of aristocratic society in old Japan are vividly revealed.

Each of the a hundred twenty five episodes within the booklet contains a narrative plus poetry within the uta form(five strains totaling thirty-one syllables) following the lifetime of a anonymous hero, who embodies the social beliefs of the period, from his "coming of age" to his death.

Connected, or What It Means to Live in the Network Society

Within the twenty-first century, a community society is rising. Fragmented, visually saturated, characterised by way of speedy technological swap and relentless social upheavals, it really is dizzying, over the top, and occasionally surreal. during this breathtaking paintings, Steven Shaviro investigates pop culture, new applied sciences, political switch, and group disruption and concludes that technology fiction and social fact became nearly indistinguishable.

A Solemn Pleasure: To Imagine, Witness, and Write (The Art of the Essay Series)

Poets & Writers “Best Books for Writers" selection
Publishers Weekly “Top 10: Literary Biographies, Essays & Criticism"
In an essay entitled “Spirit and Vision" Melissa Pritchard poses the query: “Why write? " Her resolution reverberates all through A Solemn excitement, proposing an indisputable case for either the facility of language and the nurturing fidelity of the writing lifestyles. no matter if describing the deeply inside resourceful lifestyles required to jot down fiction, looking for the misplaced legacy of yank literature as embodied through Walt Whitman, being embedded with a tender girl GI in Afghanistan, touring with Ethiopian tribes, or revealing the heartrending tale of her informally followed son William, a former Sudanese baby slave, this is often nonfiction vividly engaged with the realm. In those fifteen essays, Pritchard stocks her ardour for writing and storytelling that educates, honors, and inspires.
Melissa Pritchard is the writer of, so much lately, the unconventional Palmerino and the quick tale assortment The Odditorium. Her books have got the Flannery O'Connor, Janet Heidinger Kafka, and Carl Sandburg awards and of her brief fiction collections have been ny instances impressive e-book and Editors' selection choices. Pritchard has labored as a journalist in Afghanistan, India, and Ethiopia, and her nonfiction has seemed in quite a few courses, together with O, The Oprah journal, Arrive, Chicago Tribune, and Wilson Quarterly. She lives in Phoenix, Arizona.

Fragments d'un discours amoureux

Décrivant son projet pour Fragments d’un discours amoureux, Barthes précise que « tout est parti du principe qu'il fallait faire entendre los angeles voix de l'amoureux ». Ici, pas de théorisation de ce discours amoureux, mais sa seule expression. « C'est un portrait qui est proposé, mais ce portrait n'est pas psychologique » ; il se fait l’écho de « quelqu'un qui parle en lui-même, amoureusement, face à l'autre - l'objet aimé -, qui ne parle pas ».

Additional resources for Aimé Césaire

Sample text

The DirectDraw object is created by calling the DirectDraw function DirectDrawCreate. This function takes three parameters, the first of which should be NULL, and the last of which must be NULL. The second parameter is the address where you would like Chapter 2: Displaying the Background l 27 DirectDraw to put a pointer to the DirectDraw object after it is created. DirectDrawCreate will return DD_OK if it succeeds; if it fails we will bail out and return FALSE. Rather than checking the return value of DirectDrawCreate against DD_OK, it is slightly more readable to make use of the Windows API macros SUCCEEDED and FAILED.

It returns a window handle, which we store in hwnd. hwnd=CreateDefaultWindow("directX Demo 0",hInstance); The call to CreateDefaultWindow actually returns a handle to the created window only if it was successful. If it fails, it returns NULL. In the unlikely event of this happening, we should bail out of WinMain. hwnd)return FALSE; Having created a window, we can go ahead and do some initialization. The next three function calls use the window handle hwnd returned by CreateDefaultWindow. We show the window and draw it.

We set dest to point to the place in the surface where we want to store the byte data for the image. lpSurface; //destination Similarly, we set src to point to the place within m_cImage that we want to start moving bytes from. 5). lPitch; if the image is too wide for the surface, we clip it, which may look strange but is better than crashing. biWidth; Now we move data to the surface. Note the careful way that we do it. lPitch to dest (to get to the start of the next row of the destination). Don’t make the mistake of assuming that each row of the image in the surface is adjacent to the previous one.

Download PDF sample

Rated 4.83 of 5 – based on 13 votes